Category: arts and letters

Blame it on Bollywood

Yesterday, I walked onto a Bollywood set.

Literally.

On my way back from McD’s, my apartment building was lit by three lighting/grip trucks. The lights were overpowering the sun.

Lighting my building

Lighting my building
4th and Brannan, South of Market, San Francisco, California

Olympus E-P2, Panasonic Lumix G 1:1.7/20 ASPH.
1/4000sec @ ƒ1.7, ISO200, 20mm (40mm)

Carrying McDonalds and shooting from the hip at the same time. Take that, Leica!

Continue reading →

Posted on by tychay 2

The Baseball Roll

Stopped by Nama Sushi for a quick bite. Nama is located right across from the ballpark so, of course, they’d have sushi with baseball references in them. Marie has found a new favorite roll for this place.

The Baseball Roll

The Baseball Roll
Nama Sushi, South of Market, San Francisco, California

Olympus E-P2, M.ZUIKO Digital ED 14-42mm 1:3.5-5.6M
1/6sec @ ƒ4, ISO800, 19mm (38mm)

I’m trying to figure out a good kit for food photography. I know it somehow involves the Olympus E-P2—the only camera that can be handheld, shot in low light, and is small enough. It turns out, you really need the RAW file, not for the dynamic range, but to recover what the in-camera overdoes.

The key to postprocessing food seems to be aggressive white balance and color correction before even thinking of messing with the vibrancy. Saturation is a definite no-no. I like the post processing effect I used. Makes it look tastier somehow.

These rolls are yummy: salmon on deep tempura-fried salmon, crab, cream cheese, spicy mayo, masago, and green onions. Ten pieces for $9.50. They have a tendency to fall apart when you dip them, though. Good thing the roll doesn’t need wasabi and soy sauce.

Posted on by tychay 0

Where (your) dSLR (is a happy dSLR) [The entry kit dSLR Part 6]

(Article continued from part 5)

Nikon dSLR essentials
South of Market, San Francisco, California

Olympus E-P2, M.ZUIKO Digital ED 14-42mm 1:3.5-5.6
1/60sec @ ƒ3.6, iso 1600, 16mm (30mm)

Some typical things you might buy with your new dSLR: a memory card and reader, a bag, a spare battery, lens cleaning stuff, and instructional material.

Before I talk about the things you need to buy along with your camera to start using it, I want to talk about the lens(es) that may or may not come with the camera. Some of these models have the option of allowing you to purchase it without the kit zoom (for about a $100 cost savings). I want to caution against that unless you already own a kit zoom—which is unlikely since this is your first dSLR.

Why keep the kit?
Continue reading about about supplementary purchases with your first dSLR after the jump

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Posted on by tychay 4

Remind me not to get a lawyer trained at Tennessee

Glenn Reynolds suggests that the U.S. treasury defaults on its debt, Bruce Bartlett trashes it, and Glenn’s defense?

Well, I was hoping for a thoughtful email from an expert, but instead I got a typically intemperate blog post from Bruce Bartlett. Bruce, I’m not trying to turn the United States into Zimbabwe. That would be the guy in the White House, whom you seem surprisingly anxious to defend.

It amuses me that Zimbabwe had a $100,000,000,0000 (that’s one hundred billion) bill before they finally gave up on the currency. In storage somewhere, I have a 1 million mark bank note.

I’m surprised nobody noticed the racist undertone in this response. Bruce Bartlett brought up Zimbabwe because defaulting on the debt was the direct cause Zimbabwe’s economic collapse. The analogy Glenn sets up is: Barack Obama is America’s Robert Mugabe and he’s going to take all the land away from you White people!

While that was most likely completely unintentional, the only adequate defense is that Glenn Reynolds, a law professor and premier conservative political pundit, is both socially insensitive and politically ignorant.

The irony amuses me with the obviousness of it all. (NB Title: Glenn Reynolds teaches law at the University of Tennessee.)

Posted on by tychay 2

Macbook stickers

A while ago, when I saw Mark Kater, he showed me the vinyl sticker he got for his Macbook Pro. The next time I stopped by, I remembered to photograph it.

Mac am Ironman

Mac am Ironman
Tagged, Financial District, San Francisco, California

Leica M8, Cosina-Voigtländer NOKTON 35mm F1.2 Aspherical
1/30sec, ISO160, 35mm (47mm)

The processing is pretty much the Toy Camera preset in Aperture. Pretty powerful huh?

He got it from some place on etsy. It turns out die-cut vinyl Macbook decals that incorporate the apple logo are hugely popular—there are literally hundreds of them.
Continue reading about Stickers and such after the jump

Posted on by tychay 7

How (I purchased a kit) dSLR [The entry kit dSLR Part 5]

(Article continued from part 4)

The big C and the Big N

The Nikon D3000 ($450 from Adorama, B&H, Amazon)
The Canon EOS Rebel XS (1000D) ($500 from Adorama, B&H, Amazon)
The Nikon D5000 ($690 from Adorama, B&H Amazon)
The Canon EOS Rebel T1i (500D) ($770 from Adorama, B&H, Amazon)
The Canon EOS Rebel T2i (550D) ($900 from Adorama, Amazon)

Canon kits

The Canon 1000D and Canon 500D
Nikon D5000 and Nikon D3000

The Nikon D5000 and Nikon D3000

Even though I’ve tried to encourage you to buy a Pentax, Sony, or Olympus, I know most of you are going to be going to buy a CaNikon anyway. *sigh*

First off, debating between Canon and Nikon is like getting into a Mac vs. PC flame war. And like modern day Macs and Windows PCs they share more in common with each other than differences. Let’s disclose our biases up front: I’m a Nikon guy. If you’re going to buy Canon the only redeeming thing about me is that I’ve probably sold as many Canon cameras to friends as Nikons.
Continue reading about About entry level Canons and Nikons and what camera I purchased after the jump

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Posted on by tychay 6

Black and White film effects

The film effects section of my last article on Aperture presets reminded me that I really like the film effects in nik Color Efex Pro and nik Silver Efex Pro.

I thought I’d try to emulate them in Aperture with a set a presets, starting with black and white film.

Download the presets here. Current version at time of this writing is 0.4.

(Note that my friends of Aperture Users @ Flickr are thinking of creating a website to house presets so I don’t know how long I’ll keep updating this. In the meantime, I added Pavel Sigarteu’s SinCity, El TiDY’s presets, and Ian Wood’s Aperture 2 Image Presets Project to the download.)

In order to show the B&W film effects, I hacked in an extension to my IMG Mouseover plugin. Above the image there’s a control panel where you can click to see the effect of the preset (and compare it to Silver Efex Pro):


Mark Kater

Mark Kater
Tagged, Financial District, San Francisco, California

Leica M8, Cosina-Voigtländer NOKTON 35mm F1.2 Aspherical
1/30sec, ISO160, 35mm (47mm)

Click on the controls above to test the different film presets. Mouse rollover contain images processed in Nik Silver Efex Pro.

(Note that Aperture has decided to have a brain fart and replace all my photos even if they haven’t been changed at all. This breaks the images in Flickr. I tried my best to fix this. If any are broken or incorrect, please tell me in the comments below and I’ll fix them.)

Continue reading about How to use Aperture presets and about black and white film after the jump

Posted on by tychay 11

More Aperture presets

More Aperture presets

Aperture Presets are not new to Aperture 3. Before this however, you had to apply them by using the lift-and-stamp tool and share them by generating an Aperture project. It was never a very good solution. But my recent post on presets, made me look into our archives for some Aperture 2 settings to add to my Preset Library.

Download the presets here. Current version at time of this writing is 0.3b.

Without further ado, here they are: (Remember to mouseover the images to see the pre-preset versions…)

Sky Enhancer

The Bay Bridge — Graeme's Sky Enhancer

The Bay Bridge — Graeme’s Sky Enhancer
Embarcadero, San Francisco, California

Sony DSC-WX1
1/320sec @ ƒ7.1, ISO160, 4mm (24mm), panoramic video

This photo was a sweep panorama of the Embarcadero to the Bay Bridge was done by the amazing Sony WX1 on my walk home from the San Francisco Farmer’s Market.

Graeme Smith came up with this setting darken and saturate the sky. When coupled with a brush and other enhancements, this should be a pretty good start for landscape photography.

Outdoor Contrast

Everybodys Happy Man — Bakaris Outdoor Contrast

Everybody’s Happy Man — Bakaris Outdoor Contrast
Chinatown, San Francisco, California

Sony DSC-WX1
1/250sec @ ƒ7.1, ISO250, 4mm (24mm)

On a street corner in Chinatown there’s a guy yelling, “Happy! Happy! Happy! Everybody’s happy!”

Bakari finds this levels tweak adds some much-needed contrast to outdoor photos.

Cross-Process

Music at the Ferry Building Farmers Market - heber's Cross Process

Music at the Ferry Building Farmers Market – heber’s Cross Process
Ferry Building, Embarcadero, San Francisco, California

Sony DSC-WX1
1/125sec @ ƒ4.5, ISO80, 18mm (100mm)

These band was playing at the Farmer’s Market. I think they’re from the Haight normally.

Aperture now has two cross-process presets, but I thought I’d bring in the one created by heber vega also. Cross-processing probably started with a mistake from dipping films in the wrong chemical bath during development… now it creates an interesting recognizable effect.

Film Look

Scott Beale - Film look

Scott Beale – Film Look
Varnish Fine Art, South of Market, San Francisco, California

Nikon D3, AF Nikkor 50mm f/1.8D
1/60sec @ ƒ1.8, ISO800, 50mm

Scott Beale, a fixture of the art, culture, and technology underground scene of San Francisco back when it really was underground decided to celebrate adding cloud hosting services at Varnish when I took this photo of him. Varnish Fine Art was recent victim of eminent domain.

This is an old trick from the video camera world. One way to get video, in Final Cut, to get a look resembling a movie was to adjust the output curve of the finished video to resemble film’s characteristic curves. You do this by creating an slanted S bend in the curve. Since Aperture 3 finally has curves, it was time to create a “film look” preset, which I did.

Hope you enjoy the presets, and contact me if you have other suggestions for more.

Keep shooting.

Posted on by tychay 11