When (to learn more about) dSLR (photography) [The entry kit dSLR Part 7]

(Article continued from part 6)

Recall the story of the enthusiast and the entry-level dSLR photographers trading cameras. While I admonished against the danger of buying too much of a dSLR, I glossed the obvious problem: the entry-level photographers had a problem shooting the professional dSLR. How do you get there from here?

The answer is simple: learning.

Inside every dSLR is a complex computer and that computer makes decisions for you. This is true in both the entry and pro dSLRs: the difference is the entry-level cameras are configured to make more decisions for you. The trick is to realize that the entry-level cameras give you access to the pro-level settings, but you have to be willing to leave the safety of automation in guides, scenes, and McDonald’s-style graphical menus.

I’m not a snob. There is nothing wrong with those features and the computer makes some pretty smart decisions. It’s just unless you are bumping your head against the decisions it makes, you’re limiting yourself in the sort of photography you can do.

Marie at The Corner

Marie at The Corner
The Corner, Mission, San Francisco, California

Nikon D3, Nikkor 50mm f/1.4G, SB-800
1/20sec @ f/3.5 iso3200, 50mm

This series had an inside joke. While it is a discussion of dSLR cameras, every photo was supposed to be taken with a non dSLR camera. Unfortunately, this photo is simply too difficult to be taken by anything other than a SLR.

In this case, you can’t take this photo with the scene modes in your dSLR. Yes, the “night portrait” mode might get you close, but you’d need to pump the ISO even further, drag the shutter even more, change the white balance to incandescent, and set the flash curtain to front.

If you mouseover the image, you’ll see the original. My camera broke and decided to only record in TIFF that day, so I couldn’t have even depended on the RAW mode safety net for dynamic range and white balance recovery.

Even if we restrict ourselves to discussion of the same composition in the same camera, we are still left with setting shutter speed, aperture, and ISO. These three have a complementary relationship and are associated with different tradeoffs. Scene modes in your camera make the decision for you, but unless you know what that decision is and when it is wrong, you can’t really grow as a photographer.

P3010840

A plethora of learning materials exist out there. Here are a few of the ones I’ll be mentioning in this article.

Continue reading about books, videos, and classes after the jump

Mapping the Long Tail (of drinking)

It’s hard to believe it’s been over two years, since we’ve last had a Spontaneous Drinking Night—an event with only two rules: a weeknight and less than twenty four hours notice.

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Spontaneous Drinking Founders (minus one)
House of Shields, South of Market, San Francisco, California

Nikon D3, Nikkor 50mm f/1.4G, SB-800
1/30sec @ f/2.2 iso3200, 50mm

Cindy Phung, Andrew Mager, and Robert Balousek. Only one founder is missing from this photo.

But Greg was visiting and House of Shields may be closing soon so we had to schedule a reunion.
Continue reading

Blame it on Bollywood

Yesterday, I walked onto a Bollywood set.

Literally.

On my way back from McD’s, my apartment building was lit by three lighting/grip trucks. The lights were overpowering the sun.

Lighting my building

Lighting my building
4th and Brannan, South of Market, San Francisco, California

Olympus E-P2, Panasonic Lumix G 1:1.7/20 ASPH.
1/4000sec @ ƒ1.7, ISO200, 20mm (40mm)

Carrying McDonalds and shooting from the hip at the same time. Take that, Leica!

Continue reading

The Baseball Roll

Stopped by Nama Sushi for a quick bite. Nama is located right across from the ballpark so, of course, they’d have sushi with baseball references in them. Marie has found a new favorite roll for this place.

The Baseball Roll

The Baseball Roll
Nama Sushi, South of Market, San Francisco, California

Olympus E-P2, M.ZUIKO Digital ED 14-42mm 1:3.5-5.6M
1/6sec @ ƒ4, ISO800, 19mm (38mm)

I’m trying to figure out a good kit for food photography. I know it somehow involves the Olympus E-P2—the only camera that can be handheld, shot in low light, and is small enough. It turns out, you really need the RAW file, not for the dynamic range, but to recover what the in-camera overdoes.

The key to postprocessing food seems to be aggressive white balance and color correction before even thinking of messing with the vibrancy. Saturation is a definite no-no. I like the post processing effect I used. Makes it look tastier somehow.

These rolls are yummy: salmon on deep tempura-fried salmon, crab, cream cheese, spicy mayo, masago, and green onions. Ten pieces for $9.50. They have a tendency to fall apart when you dip them, though. Good thing the roll doesn’t need wasabi and soy sauce.

Where (your) dSLR (is a happy dSLR) [The entry kit dSLR Part 6]

(Article continued from part 5)

Nikon dSLR essentials
South of Market, San Francisco, California

Olympus E-P2, M.ZUIKO Digital ED 14-42mm 1:3.5-5.6
1/60sec @ ƒ3.6, iso 1600, 16mm (30mm)

Some typical things you might buy with your new dSLR: a memory card and reader, a bag, a spare battery, lens cleaning stuff, and instructional material.

Before I talk about the things you need to buy along with your camera to start using it, I want to talk about the lens(es) that may or may not come with the camera. Some of these models have the option of allowing you to purchase it without the kit zoom (for about a $100 cost savings). I want to caution against that unless you already own a kit zoom—which is unlikely since this is your first dSLR.

Why keep the kit?
Continue reading about about supplementary purchases with your first dSLR after the jump

Remind me not to get a lawyer trained at Tennessee

Glenn Reynolds suggests that the U.S. treasury defaults on its debt, Bruce Bartlett trashes it, and Glenn’s defense?

Well, I was hoping for a thoughtful email from an expert, but instead I got a typically intemperate blog post from Bruce Bartlett. Bruce, I’m not trying to turn the United States into Zimbabwe. That would be the guy in the White House, whom you seem surprisingly anxious to defend.

It amuses me that Zimbabwe had a $100,000,000,0000 (that’s one hundred billion) bill before they finally gave up on the currency. In storage somewhere, I have a 1 million mark bank note.

I’m surprised nobody noticed the racist undertone in this response. Bruce Bartlett brought up Zimbabwe because defaulting on the debt was the direct cause Zimbabwe’s economic collapse. The analogy Glenn sets up is: Barack Obama is America’s Robert Mugabe and he’s going to take all the land away from you White people!

While that was most likely completely unintentional, the only adequate defense is that Glenn Reynolds, a law professor and premier conservative political pundit, is both socially insensitive and politically ignorant.

The irony amuses me with the obviousness of it all. (NB Title: Glenn Reynolds teaches law at the University of Tennessee.)

Macbook stickers

A while ago, when I saw Mark Kater, he showed me the vinyl sticker he got for his Macbook Pro. The next time I stopped by, I remembered to photograph it.

Mac am Ironman

Mac am Ironman
Tagged, Financial District, San Francisco, California

Leica M8, Cosina-Voigtländer NOKTON 35mm F1.2 Aspherical
1/30sec, ISO160, 35mm (47mm)

The processing is pretty much the Toy Camera preset in Aperture. Pretty powerful huh?

He got it from some place on etsy. It turns out die-cut vinyl Macbook decals that incorporate the apple logo are hugely popular—there are literally hundreds of them.
Continue reading about Stickers and such after the jump

How (I purchased a kit) dSLR [The entry kit dSLR Part 5]

(Article continued from part 4)

The big C and the Big N

The Nikon D3000 ($450 from Adorama, B&H, Amazon)
The Canon EOS Rebel XS (1000D) ($500 from Adorama, B&H, Amazon)
The Nikon D5000 ($690 from Adorama, B&H Amazon)
The Canon EOS Rebel T1i (500D) ($770 from Adorama, B&H, Amazon)
The Canon EOS Rebel T2i (550D) ($900 from Adorama, Amazon)

Canon kits

The Canon 1000D and Canon 500D
Nikon D5000 and Nikon D3000

The Nikon D5000 and Nikon D3000

Even though I’ve tried to encourage you to buy a Pentax, Sony, or Olympus, I know most of you are going to be going to buy a CaNikon anyway. *sigh*

First off, debating between Canon and Nikon is like getting into a Mac vs. PC flame war. And like modern day Macs and Windows PCs they share more in common with each other than differences. Let’s disclose our biases up front: I’m a Nikon guy. If you’re going to buy Canon the only redeeming thing about me is that I’ve probably sold as many Canon cameras to friends as Nikons.
Continue reading about About entry level Canons and Nikons and what camera I purchased after the jump