If I keep processing only old photos, I’ll never get ahead, so I thought I’d process some photos I took recently with four different cameras . They’re all of the same subject so you can see how camera/lens choice affect composition and processing. But since this article is not about photography, I’ll put that discussion the the photo captions.
Instead I’ll talk about a watch I “splurged” on: the Seagull 1963 Re-issue. Here it is after I just opened the box (taken with a Nikon D810):
There were so many great photos taken this weekend even though it was a 2.5 megapixel camera purchased in the previous century! Little did I know these would be among the last exposures ever taken with this camera.
I’ll definitely have to stitch and post some more photos fro this trip.
It was the morning of the second day of a hike along the Pt. Reyes National Seashore. From our campsite we took a short hike down to the Sculptured Beach and walked along to the south end where we sighted the arch doorway to the Secret Beach.
It was not yet negative low tide so we were going to have to prep a bit to get down to the beach before sprinting through the doorway. That was a lot of fun. Getting almost stranded (again!)… not so much.
On the next day, a wave would smash me against the rocks and destroy the camera that took this photo.
Because I knew it’s nearly impossible then to stitch a panorama with moving waves, this was actually intended to be two separate panoramic stitches. Unfortunately, my overlap wasn’t as good as when I started using dSLRs and there’s no optical distortion formula for such an old camera so PTGui couldn’t fix the horizon correctly. It’s especially bad around my friend Sean (I kept the exposure of him looking at the arch doorway).
I tried fixing the mask as much as I could in Photoshop and then added a crop, color saturation, sharpness, and noise reduction in Lightroom CC, in addition to some last minute cloning out of some ghosts. The noise reduction is pretty strong and smooths out some of the rock detail that’s actually there in the photo because Olympus CCD cameras of the era were notoriously bad with blue channel noise.
Here’s a crazy thought. The stitch ends up being 8.7 megapixel. Today I could get the whole scene in a single wide angle photo on my camera and still have better resolution. I should revisit these beaches, even though some are now inaccessible.
I think I had just gotten a close-up filter to replace the on-loan Canon 400D. We went to some Thai restaurant in nearby whose name I’ve since forgotten. When Marie’s sake order game, after staging it onto my side of the table, I used it as an opportunity to test out the new filter on my camera.
Every summer, the Wikimedia Foundation sponsors a conference somewhere around the world that is ass-hot. This year, it was in Hong Kong. It’s a shame that I stopped photographing because there was so much to see.
I had recently broken up and moved away from my girlfriend so I was spending time in a still-unpacked new temporary apartment, so I decided to take up some hobbies besides running or cycling. This meant cooking and drinking.
I decided to start mixing drinks again. It was best to start with the basics, and nothing is more basic than a classic dry martini. While my parents gin of choice was Beefeater, I’ve always been a fan of Bombay Sapphire—mostly just because of its distinctive blue bottle. If I start there and understand that presentation is the most important part of a drink, getting just the right martini glass to go along with it immediately follows.
I was toasting the close of an old life and the start of a new one. Odd that I had to down this drink alone at this watershed moment in my life, something I never do.
I drove before sunrise from the South Bay to San Francisco this early morning in order to accomplish two things. One was to photograph a Christmas card to send to friends because of my newly-launched, just finished eCards for Plaxo. The other was just to see the legendary view from the east peak of Mt. Tam.
On the drive back, I pulled over to the side of the road and took some handheld photos of which this is one. I liked this angle because from here you can see both the skyline and the Golden Gate Bridge in the frame, while still having enough foreground to show the distance and frame the photograph.
While I did make a christmas card, I never processed the other photos until this project came up on my Aperture to Lightroom migration list.
This was after going to the symphony. I guess I was hungry because I asked for a fried egg to be put on top of it.
Since this project came up and only had iPhone images, I thought I’d use a non-Camera+ iPhone image as as an opportunity to investigate Lightroom CC’s de-noise and sharpening routines (in the Detail tab of the Develop module). While it is very convenient, I dislike the artifacts it generates when working on underexposed JPEG images.
Surprisingly, a simple application of basic processing, seems to oversaturate the reds in image, which I had to pull down using the HSL controls. I guess Adobe engineers are Canon photographers.
In Lightroom’s defense, the lighting was terrible, so I should be happy anything was usable, as there’s only so much you can recover from a high ISO photo camera shot. Should learn to bring a real camera out when I eat.