Category: arts and letters

Just keep shooting

One brunch, I noticed that a trio of my friends all had single-letter twitter names. I asked them to activate their wonder-tweet powers. They obliged:

@a @c @k

@a @c @k
Zazie’s, Cole Valley, San Francisco, California

Olympus E-P1, M.ZUIKO Digital 17mm 1:2.8 Pancake
2 exposures, 1/60sec @ ƒ2.8, ISO400, 17mm (35mm)

After discussing the [kissy ass face][kissy anus face] video, I asked my friends to pose one of the things that were “too dirty for [College Humor][college humor].”

Do the kissy-anus-face

Do the kissy-anus-face
Eddie Rickenbacker’s, SoMa, San Francisco, California

Leica M8, Cosina-Voigtländer NOKTON 35mm F1.2 Aspherical
3 exposures @ 1/30sec, iso 320, 35mm (47mm)

One thing I like to do is keep shooting even after people are done posing, the smiles are more honest.

[kissy anus face]: http://vimeo.com/344008 “Jeff and I at the Rejection Show—Vimeo”
[college humor]: http://www.collegehumor.com/ “College Humor”

Posted on by tychay 0

My cousin Juno

It’s been four years [since I last wrote about my cousin Juno][thanksgiving chicken]. I haven’t changed much but a baby grows up a lot in that time.

While technically he’s my nephew, he calls me “사촌”—사촌 (sa-chon) means cousin in Korean, so I refer to him as my cousin Juno. And apparently I’m a big hit with him—Juno constantly pesters his parents before family get togethers, “Is Sa-chon Terry going to be there?”

The reason why is I have a secret weapon…

iPhone attention
Vicolleto, North Beach, San Francisco, California

Leica M8, Voigtländer Nokton 35mm F1.2
1/60sec, ISO160, 35mm (47mm)

…an iPhone loaded with [tons of free and $1 games][nintendo vs iphone].

Unfortunately because I never actually *play* the games, I hadn’t unlocked enough levels in [Krazy Kart][krazykart]. Marie had to help out:

Here is how you do that

Here is how you do that
Vicolleto, North Beach, San Francisco, California

Leica M8, Voigtländer Nokton 35mm F1.2
1/60sec, ISO160, 35mm (47mm)

What an amazing device, and an amazing cousin. Oh, to be a kid right now! Wait a minute…

Photobooth - Me, Juno, Marie

We still are!

[thanksgiving chicken]: http://terrychay.com/article/thanksgiving-chicken-story.shtml “It isn’t Thanksgiving without the kimchee”
[krazykart]: http://itunes.apple.com/us/app/krazy-kart-racing-us/id329373629?mt=8 “Krazy Kart Racing (US)—iTunes Store”
[nintendo vs iphone]: http://www.penny-arcade.com/comic/2011/8/1/ “The Fire—Penny Arcade”

Posted on by tychay 0

Focus on the eyes

The eyes are the most expressive part of a person.

One thing people forget about smaller-sensor cameras is that it is easier to do close-up photography. Even if the subject is a person, it’s okay to crop everything out, just remember to focus on the eyes. The closer the subject the smaller the depth-of-field gets so even with a small sensor, you have to get the focus just right.

Eyes

Eyes
The Richmond, San Francisco, California

Olympus E-PL3, Lumix G 20/F1.7
1/60sec @ ƒ1.8, ISO500, 20mm (40mm)

What attracted me to photographing Marie was the way the light from the bay windows caught her eyes. Unfortunately, my camera blocked a lot of that.

This camera has face and eye detection. I can even select which eye to prefer (I always select closest eye of the closest subject), but it is not always accurate. This photo suffers a little because the camera mistakenly focused on the distal eye—probably because I am near the close-focusing limit of this lens (the sensor isn’t small enough and the lens is a pancake).

It is interesting my appreciation of this image is interrupted because as the photographer, I see my mistakes: the off-focus and camera [gobo][gobo], but my friends don’t.

### Other tips

Even though the image is highly cropped it’s okay. A closely cropped photo rarely suffers and you can crop a person anywhere as long as it isn’t near a joint. As with “focus on the eyes”, these sort of photographing decisions are derived from our evolution.

Just remember, you will have to retouch the portrait a bit. Soften the skin (a little, not too much) and add definition and saturation to the eyes and lips. You should probably remove some of the color from the whites of the eyes, but I didn’t need to in this photo. Note that retouching tools have gotten very good as computers have gotten very powerful. I didn’t even need to leave Aperture (or use the RAW image) to retouch.

[gobo]: http://en.wikipedia.org/wiki/Gobo_(lighting) “Gobo (lighting)—Wikibedia”

Posted on by tychay 0

AVCHD movies in Aperture

My new camera takes video, but unlike my previous ones, the highest resolution video (1080p) only writes in the should-never-have-been-invented [AVCHD specification][avchd].

AVCHD has weird support on Mac OS X. If you insert a card with it, iMovie will recognize it. However, Apple Aperture and iPhoto will not. Since the video and metadata for the clips are [split over many files][file structure], you can’t do a straight import into any of the above.

While there is [an excellent free tool for viewing AVCHD video streams][vlc], this means that in order to work with this video *as a photographer*, I need to transcode the video. This was not obviously done until I ran into [this post on AVCHD on the Mac][AVCHD video workflow].

ClipWrap diskimage

There exists many other cheaper ([and free][handbrake]) solutions for transcoding, but I opted for the more expensive [ClipWrap][clipwrap] mentioned in the article for a couple reasons:

1. Most other transcoders, re-encode the video. On the other hand QuickTime is a container format, not a codec. What ClipWrap can do is re-wrap the AVCHD in a quicktime container without changing the codec. This is much faster, but, more importantly, *it preserves the original encoding with no loss*.
2. ClipWrap can also transcode the video like other converters.
2. In both cases, ClipWrap can preserves the video creation date.

ClipWrap conversion

There are some caveats though:

1. A rewrapped file may not be viewable on the computer without the free tool, [Perian][perian].
2. A rewrapped file cannot be directly worked with in iMovie, instead you need to transcode into [AIC][aic]. I think you are fine if you are a Final Cut Pro user, but I stopped using that product a long time ago since I’m not a videographer.
3. Be aware of the funky file structure. Look for the videos in /PRIVATE/AVCHD/STREAM/*.MTS, not your camera’s media folder. You lose any of the other metadata also (pretty much worthless)
4. Be aware that AIC files are uncompressed more than H.264 in a ClipWrap Quicktime/AVCHD . This means you want to store it in this format, only work with it this way.
5. I don’t (yet) have a workflow for converting from rewrapped Quicktime to AIC. 🙁

This means that I store:

1. In my archive originals folder, I keep the original *.MTS files.
2. In Apple Aperture, I import re-wrapped quicktime MOVs.
3. If I need to work on videos, I transcode the AVCHD MTS’s into AIC and then import into iMovie. I lose the Aperture integration this way. 🙁

I did get it to work this way. Here’s an example I edited from the [Plantronics][plantronics] Launch Party last week:

If you don’t have video working, here are two photos I took with my other camera:

Water pool

Water pool
Plantronics Launch Party, Dogpatch, San Francisco, California

Nikon D3, Nikkor 24-70mm f/2.8G
1/100sec @ ƒ2.8, ISO3200, 28mm

Dry ice cocktail and champagne

Dry ice cocktail and champagne
Plantronics Launch Party, Dogpatch, San Francisco, California

Nikon D3, Nikkor 24-70mm f/2.8G
1/30sec @ ƒ3.2, ISO5000, 48mm

Now if only I can come up with a work flow for the RAW images that doesn’t involve [a lot of work][unsupported RAW] or [exiftool][exiftool] [hacking][exifhack].

…

[More photos and videos from the Plantronics Launch Party][plantronics photos].

[plantronics photos]: http://www.flickr.com/photos/tychay/sets/72157627846839069/ “2011-0138 SF Potrero Hill—Plantronics Launch Party @ Obscura Digital—tychay @ Flickr”
[exiftool]: http://www.sno.phy.queensu.ca/~phil/exiftool/ “Exiftool by Phil Harvey”
[exifhack]: http://forums.dpreview.com/forums/readflat.asp?forum=1041&message=39314992&changemode=1
[unsupported raw]: http://terrychay.com/article/unsupported-raw-apple-aperture.shtml “Unsupported RAW workflow in Apple Aperture”
[plantronics]: http://www.plantronics.com/us/ “Plantronics WIreless Heasets, Bluetooth Headset, Office and Contact Center, Enterprise Solutions”
[AVCHD video workflow]: http://echeng.com/journal/2010/07/08/avchd-hd-video-workflow-on-mac-os-x/ “AVCHD HD video workflow on Mac OS X—ECHeng”
[avchd]: http://en.wikipedia.org/wiki/AVCHD “AVCHD—Wikipedia”
[file structure]: http://en.wikipedia.org/wiki/File:AVCHD_actual_file_structure.svg “File:AVCHD actual file structure—Wikipedia”
[handbrake]: http://handbrake.fr/ “HandBrake”
[perian]: http://perian.org/ “Perian: The swiss-army knife of QuickTime components”
[clipwrap]: http://www.divergentmedia.com/clipwrap “ClipWrap”
[aic]: http://en.wikipedia.org/wiki/Apple_Intermediate_Codec “Apple Intermediate Codec—Wikipedia”
[vlc]: http://www.videolan.org/vlc/ “VideoLAN: Official page for the VLC media player: the open source video framework”

Posted on by tychay 0

World Bike Festival

CNN informed me that[a photo of mine][amsterdam photo] was selected for [a slideshow about the World Bike Festival][cnn article]:

World Bike Festival highlights benefits of cycling around the globe - CNN.com

It occurred to me that this combines a ton of my passions—photography, internet, writing, cycling, and activism—with my ethnicity.

Save the world, one bike ride at a time. 🙂

[amsterdam photo]: http://www.flickr.com/photos/tychay/5700378467/ “Amsterdam bicycle parking—tychay @ Flickr”
[cnn article]: http://www.cnn.com/2011/10/21/living/world-bike-festival/index.html “World Bike Festival highlights benefits of cycling around the globe”

Posted on by tychay 0

You have a camera

“I want to tell you the most important tip I learned about photography.”

“What is it?”

“You have a camera.”

…

Frame that shot!

Frame that shot!
Zazie’s, Cole Valley, San Francisco, California

Olympus E-P1, M.ZUIKO Digital 17mm 1:2.8 Pancake
1/60sec @ ƒ2.8, ISO1000, 17mm (35mm)

Coley teases my habit of photographing my friends.

…

Recently some colleagues had a contest: “Guess how many cameras Terry has on him right now?”

Even though I have one, too often, I forget I carry a camera.

Smiling Sean Coates

Smiling Sean Coates
The Invisible Dog, Brooklyn, New York City, New York

Olympus E-PL3, Lumix G 20/F1.7
1/60sec @ ƒ1.8, ISO500, 20mm (40mm)

Sean is embarassed to have my camera in his face… or happy that he guessed how many cameras I was carrying.

You have a camera, shoot it! You never know what will happen.

Posted on by tychay 2

Show Me What I'm Looking For

Overheard:

“This is another song from a Swedish band.”

“Are they Swedish or something else?”

“I don’t know—some Scandinavian country I think. The song isn’t bad.”

“I think it’s a bit overplayed—it’s featured in a lot of TV and movies.”

“Yes, I guess you’re right. Did you know that it’s played a lot in evangelical churches, even though it not about religion?”

“Oh really?”

“Yeah, listen to the lyrics… ‘Save me, I’m lost.’… ‘Oh lord I’ve been waiting for you.’”

“Wow, he was asking for it!”

*Laughs* “Yeah. He probably shouldn’t have added ‘Oh Lord.’”

(The fact that the lead singer looks like [White Jesus][white jesus] doesn’t help either.)

[white jesus]: http://www.stuffwhitechristianslike.com/2009/02/15-white-jesus.html “White Jesesus—Stuff White Christians Like”

Continue reading the lyrics to Show Me What I’m Looking For after the jump

Posted on by tychay 0

Gordy's Camera Straps

Somewhere along the way, I ran into [Gordy’s Camera Straps][gordyscamerastraps].

Gordon Coale is a guy out in Washington state who hand makes leather camera straps. Last year it occurred to me that one of his straps would perfectly match my [Hirano case][hirano japanexposures] (which you [may have seen before][live view]). Hand straps are simply a good idea for nearly any camera, because they’re the most minimal safety leash for photography: you don’t really need a one normally; but if something bad happens, you’ll be glad you have one around your wrist. Plus, when you do it right, they look gorgeous:

The food camera and Gordy’s strap

The food camera and Gordy’s strap
Barracuda Sushi, Castro, San Francisco, California

Nikon D3, 24mm f/1.4G, SB-900
1/50 sec @ ƒ2, iso 800, 24mm

I bought this Gordy’s strap almost exactly one year ago.

[gordyscamerastraps]: http://www.gordyscamerastraps.com/ “gordy’s camera straps”
[hirano japanexposures]: http://www.japanexposures.com/shop/index.php?manufacturers_id=36 “Camera Hirano—JapanExposures. These English speakers will get import Hirano cases for you.”
[live view]: http://terrychay.com/article/live-view-aperture-on-the-e-p2.shtml “Live view aperture on the E-P2”

Continue reading about camera straps and cases after the jump

Posted on by tychay 1

Office Porn

A few weeks ago, there was a thread on on of our internal blogs at workconcerning our home office setup for productivity and comfort. One of them mentioned an old blog post of mine, and it occurred to me that it’s been five years since I’ve shared my office.

Here is what it looks like today:

My home office (HDR)

My home office (HDR)
The Richmond, San Francisco, California

Nikon D3, Nikkor 14-24mm f/2.8G
36 exposures (0+/-3ev), 1/15sec @ ƒ8, ISO200, 14mm

Continue reading about my office and HDR panoramic photography after the jump

Posted on by tychay 9