A little about DxO Mark

Since there has been a lot of interest in this camera after previous posts, I wanted to mention that DxO published their rating of the Nikon D3100 sensor.

DxOMark - Compare sensors

This chart compares the new Nikon D3100 to the highest-scoring APS-C sensor (Nikon D300s) and full-frame sensors (Nikon D3s).

I’ve used DxOMark a lot in passing discussions, and a friend (and recent Nikon D3100 owner) last month mentioned, “I don’t know how to read this.” Whoops!

I had better explain what these values mean.

Continue reading a quick guide to understanding DxOMark after the jump

Borrow lenses (and sports photography)

I received this e-mail:

Trust this finds you well. I am hoping I can impose upon your photography expertise with a question. My wife has been shooting our son’s high school football games (played at night under the lights) with our basic Cannon SLR rebel and using a borrowed Sigma telephoto lens that I think is an 18-200mm and there were some other specs but I can’t find my notes.

Anyway – knowing that the prime purpose is to shoot football games at night where the lighting is ok at best – and wanting a good amount of zoom capability – can you recommend some options in the $500 – $750 price range for me? Also a good retailer or place to buy such an item?

There are really two questions here: what is the ideal lens to buy for night (from the stands) night sports photography, and what is the best lens to buy in a given price range. The answer to the second question may be…nothing at all.

You can read on, or read an four-year-old article on the subject here.

Continue reading about sports lenses and lens rentals after the jump

Nikon D3100

Last month, a friend asked me purchasing advice on a Nikon D5000. I told him, “Don’t. Nikon will be introducing a new D3000 replacement before Photokina.”

Today, Nikon has officially announced the Nikon D3100 entry level dSLR camera.

353_25472_D3100_front

If you recall the big spreadsheet in my complete guide to purchasing an entry dSLR camera (etc), the big specification upgrades are: 14 megapixel, 1080p video and continuous AF.

Two other overlooked features of the D3100 are the improved ergonomics: the shooting mode is now chosen with a dial, and a lever now activates the movie mode. Both are going to be very welcome (for reasons I explained in my guide above).

Continue reading About the D3100 after the jump

Canon and Nikon are still the same

Camera Labs compares the Canon 550D (Rebel T2i) to the Nikon D90 at high ISO.

I’ll give you the summary: at high ISO in JPEG comparison, the Canon delivers similar performance but with higher resolution.

This may sound like a surprise, but let’s look at was buried in my article where I mention the Rebel T2i.

Not only that, but the newly minted Canon 550D has nearly the same ISO performance as the Nikon [D5000] and 20% greater resolution—the cost of that resolution is a one stop worse dynamic range

(The Nikon D5000 and D90 have the same sensor design.)

This is the problem with reviews snippets taken in isolation: the Canon 550D and the Nikon D90 are nearly the same (street) price so it may seem that the Nikon D90 is a bad value but this isn’t the case at all. The Nikon D5000 is much cheaper than the Canon 550D and delivers the same ISO performance as the D90, are we to say the 550D is a bad value then? The Canon 550D has the same sensor as the Canon 7D are we to say that the Canon 7D is a rip off?

No. Because the Nikon D90 has a much, much brighter viewfinder and better dynamic range than the Canon 550D—in turn the Canon 550D has a better video mode and higher resolution than the D90. And the Canon 7D tops the D90 with even all-metal construction and a 100% viewfinder (both notoriously expensive to manufacture). Here is a small table:

Cheaper More expensive Pros (upgrade) Cons (upgrade)
Nikon D5000 Nikon D90 higher res LCD, pentaprism,backward compatible AF motor,flash commander mode $250 more, lose articulation
Nikon D5000 Canon 550D 20% higher resolution, higher res LCD, better video $350 more, loose dynamic range, lose articulation
Nikon D90 Canon 550D 20% higher resolution, better video $150 more, lose dynamic range, lose pentaprism
Nikon D90 Nikon D300s 7fps, metal body, 100%viewfinder, two card slots, advanced AF, meters old lenses, pro setup $700 more, lose scene modes
Canon 550D Nikon D300s 7fps, pentaprism, 100% viewfinder, metal body, two card slots, advanced AF, dynamic range,pro setup $550 more, worse video, lose resolution
Canon 550D Canon 7D 8fps, pentaprism, 100% viewfinder, all metal construction $650 more
Nikon D300S Canon 7D 1fps faster, 20% higher resolution, better video $100 more, lose dynamic range, lose 2nd card slot

(My street prices were rounded to the nearest $50.) Plus there is a $100 – $200 rebate if you purchase Nikon bodies with a lens: as I noted earlier, the street price of Canon tends to drop faster and Nikon tries to maintain the price longer but offer rebates instead.

(As for JPEG, that’s a post-processing design decision. Did you know that Nikon’s tend to be undersharpened and have more faithful red channel color? So what.)

The table shows you that basically these cameras have a price interleave that is nearly exactly right. The D90 is the 550D with different tradeoffs; the D300S is the the 7D with tradeoffs. The D90/550D give up similar things to the D300S/7D. I mentioned this before. When it comes to sensors, Nikons tend to have better ISO and dynamic range but at the cost of resolution. I also mentioned this before.

This sort of pixel peeping is going to give you the exact same result that a Nikon D3000S/Canon 7D comparison gave you last year. I bet if I tested resolution at low ISO the Canon would win; if I tested dynamic range, the Nikon would win. Yawn!

APS-C videocameras

Caitlin talks about a particular dream of hers: high-definition APS-C sensor videocameras in two articles: here and here, including the much-awaited mention of Sony’s new CMOS sensor.

I’ll go even a step further. I think that such a manufacturer should standardized on a modified Nikon F, Canon EF-S, or Olympus 4/3 (if 4/3″ instead of APS-C) mount. This way, out of the box, a whole set of lenses will work with such a camera and they can still make gobs of money on their own custom “kit” lenses that allow zoom control (and other features cinematographers need but film camera lenses don’t have).Continue reading more about large sensor video cameras after the jump