Light L16

After over two years of waiting…

The Light has arrived
Sab Francisco, California, United States

Apple iPhone X, Apple iPhone X back dual camera 6mm f/2.4
Live photo thumbnail

The CFL bulbs in the background are because a Phillips Hue kit arrived on the same day.

Around ten years ago, Hubert told me about a new light-field camera technology that he saw demoed. When that was productized as the Lytro camera, I pre-ordered it. After a bit of thought, I cancelled my pre-order. Why didn’t I do that this time?

It’s because back then, I thought original Lytro was marketed for non-photographers and capturing light fields meant that it would be a long time before it was ready for serious photography. This time, even though the L16 is poorly marketed and may flop, I sincerely feel that this camera is meant for someone like me.

It’s worth a shot (pardon the pun).

Continue reading and seeing a few photos after the jump

Focus on the eyes

The eyes are the most expressive part of a person.

One thing people forget about smaller-sensor cameras is that it is easier to do close-up photography. Even if the subject is a person, it’s okay to crop everything out, just remember to focus on the eyes. The closer the subject the smaller the depth-of-field gets so even with a small sensor, you have to get the focus just right.

Eyes

Eyes
The Richmond, San Francisco, California

Olympus E-PL3, Lumix G 20/F1.7
1/60sec @ ƒ1.8, ISO500, 20mm (40mm)

What attracted me to photographing Marie was the way the light from the bay windows caught her eyes. Unfortunately, my camera blocked a lot of that.

This camera has face and eye detection. I can even select which eye to prefer (I always select closest eye of the closest subject), but it is not always accurate. This photo suffers a little because the camera mistakenly focused on the distal eye—probably because I am near the close-focusing limit of this lens (the sensor isn’t small enough and the lens is a pancake).

It is interesting my appreciation of this image is interrupted because as the photographer, I see my mistakes: the off-focus and camera [gobo][gobo], but my friends don’t.

### Other tips

Even though the image is highly cropped it’s okay. A closely cropped photo rarely suffers and you can crop a person anywhere as long as it isn’t near a joint. As with “focus on the eyes”, these sort of photographing decisions are derived from our evolution.

Just remember, you will have to retouch the portrait a bit. Soften the skin (a little, not too much) and add definition and saturation to the eyes and lips. You should probably remove some of the color from the whites of the eyes, but I didn’t need to in this photo. Note that retouching tools have gotten very good as computers have gotten very powerful. I didn’t even need to leave Aperture (or use the RAW image) to retouch.

[gobo]: http://en.wikipedia.org/wiki/Gobo_(lighting) “Gobo (lighting)—Wikibedia”

You have a camera

“I want to tell you the most important tip I learned about photography.”

“What is it?”

“You have a camera.”

Frame that shot!

Frame that shot!
Zazie’s, Cole Valley, San Francisco, California

Olympus E-P1, M.ZUIKO Digital 17mm 1:2.8 Pancake
1/60sec @ ƒ2.8, ISO1000, 17mm (35mm)

Coley teases my habit of photographing my friends.

Recently some colleagues had a contest: “Guess how many cameras Terry has on him right now?”

Even though I have one, too often, I forget I carry a camera.

Smiling Sean Coates

Smiling Sean Coates
The Invisible Dog, Brooklyn, New York City, New York

Olympus E-PL3, Lumix G 20/F1.7
1/60sec @ ƒ1.8, ISO500, 20mm (40mm)

Sean is embarassed to have my camera in his face… or happy that he guessed how many cameras I was carrying.

You have a camera, shoot it! You never know what will happen.