More Aperture presets
Aperture Presets are not new to Aperture 3. Before this however, you had to apply them by using the lift-and-stamp tool and share them by generating an Aperture project. It was never a very good solution. But my recent post on presets, made me look into our archives for some Aperture 2 settings to add to my Preset Library.
Download the presets here. Current version at time of this writing is 0.3b.
Without further ado, here they are: (Remember to mouseover the images to see the pre-preset versions…)
Sky Enhancer
Embarcadero, San Francisco, California
Sony DSC-WX1
1/320sec @ ƒ7.1, ISO160, 4mm (24mm), panoramic video
This photo was a sweep panorama of the Embarcadero to the Bay Bridge was done by the amazing Sony WX1 on my walk home from the San Francisco Farmer’s Market.
Graeme Smith came up with this setting darken and saturate the sky. When coupled with a brush and other enhancements, this should be a pretty good start for landscape photography.
Outdoor Contrast
Chinatown, San Francisco, California
Sony DSC-WX1
1/250sec @ ƒ7.1, ISO250, 4mm (24mm)
On a street corner in Chinatown there’s a guy yelling, “Happy! Happy! Happy! Everybody’s happy!”
Bakari finds this levels tweak adds some much-needed contrast to outdoor photos.
Cross-Process
Ferry Building, Embarcadero, San Francisco, California
Sony DSC-WX1
1/125sec @ ƒ4.5, ISO80, 18mm (100mm)
These band was playing at the Farmer’s Market. I think they’re from the Haight normally.
Aperture now has two cross-process presets, but I thought I’d bring in the one created by heber vega also. Cross-processing probably started with a mistake from dipping films in the wrong chemical bath during development… now it creates an interesting recognizable effect.
Film Look
Varnish Fine Art, South of Market, San Francisco, California
Nikon D3, AF Nikkor 50mm f/1.8D
1/60sec @ ƒ1.8, ISO800, 50mm
Scott Beale, a fixture of the art, culture, and technology underground scene of San Francisco back when it really was underground decided to celebrate adding cloud hosting services at Varnish when I took this photo of him. Varnish Fine Art was recent victim of eminent domain.
This is an old trick from the video camera world. One way to get video, in Final Cut, to get a look resembling a movie was to adjust the output curve of the finished video to resemble film’s characteristic curves. You do this by creating an slanted S bend in the curve. Since Aperture 3 finally has curves, it was time to create a “film look” preset, which I did.
Hope you enjoy the presets, and contact me if you have other suggestions for more.
Keep shooting.