My peoples lack a clue

My Facebook feed has lit of with people on both sides of the Peter Theil/Gawker revelation, but that’s because I personally know many of the people involved and have lived and worked in a tech bubble for the last 16 years.

Sadly, Half of them need to venture out of it for a bit to understand why this is an issue to the other 99.9%.

In the meantime, I guess this means I to be posting about how I work in the salt mines with a six figure salary, how the homeless need to get out of MY city, or something… Because here in the bubble, I’m the one that is “out-of-touch.”

(Hint: all the links above are to articles about Silicon Valley that are/were among the most-emailed articles in the New York Times at the time. Half my friends clearly misunderstand why they proved so popular.)

Fresh Fruit Cup

Photos from October 17, 2010.

Fresh Fruit Cup (organic)
Fresh Fruit Cup (organic)
Beach Street Grill, Fisherman’s Wharf, San Francisco, California

Leica M8, Cosina-Voigtländer NOKTON 35mm F1.2 Aspherical
Lightroom (crop, mask, basic, detail, effects)
1/80sec, iso 160, 35mm (46mm)

Marie and I don’t often get to Fisherman’s Wharf since I moved away from there, but since her sister was visiting, we decided to make the drive for breakfast. The nice thing about the Wharf is that the better food places aren’t busy because they aren’t frequented by tourists who are looking for anything labeled as “world famous.”

Because I was one of the first people to post pictures on Yelp, the owners recognize us and sometimes give us a fruit cup while we are waiting for our order. That’s another opportunity to photograph.

As I’ve mentioned before, one of the interesting things about shooting with a Leica camera is its limitations. A close rangefinder focusing of 70cm means puts more in than the food in frame showing a bit of the environment the food lives in… even if it only appears as bokeh.

Here is the same fruit cup shot on an iPhone using Camera+

As for processing, mostly I spent the time familiarizing myself with Lightroom’s built-ins. I still think in Aperture (and external plugins), but I’m trying to discover how much I can do things in my preferred style in Lightroom. I masked away some of the background saturation, brightness, and detail, though since I’m not yet familiar with shortcuts, my masking leaves a little to be desired. It’s odd because the more you process an image, the less you can tell it was photographed with a Leica. Lightroom’s film grain effect, while not as good as DxO or nik, is a great convenience when viewed close up or printed.